<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-8043464692513043904</id><updated>2012-02-15T23:11:45.691-08:00</updated><title type='text'>Antonella Paris</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://antonellaparis.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8043464692513043904/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://antonellaparis.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Antonella Paris</name><uri>http://www.blogger.com/profile/06857086618112020669</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_5yXGc8V9LqE/Sa-qpQtLyoI/AAAAAAAAAA0/jyG2QVjx4XY/S220/face.JPG'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>4</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8043464692513043904.post-1289009741644657866</id><published>2009-03-26T13:21:00.000-07:00</published><updated>2009-03-26T06:35:39.253-07:00</updated><title type='text'>eds1203: individual learner task</title><content type='html'>&lt;em&gt;&lt;strong&gt;&lt;span style="font-family:lucida grande;"&gt;Work through pictures...&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt; &lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;em&gt;&lt;/em&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;img id="BLOGGER_PHOTO_ID_5317464082459287426" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 352px; CURSOR: hand; HEIGHT: 152px; TEXT-ALIGN: center" alt="" src="http://4.bp.blogspot.com/_5yXGc8V9LqE/ScttaOziX4I/AAAAAAAAAFY/fzu-vOYR408/s320/Man.gif" border="0" /&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;u&gt;Figure 1:&lt;/u&gt; Man's evolution also through work&lt;/strong&gt;&lt;/div&gt;&lt;p align="justify"&gt;This picture caught my attention when I was surfing on the I&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_0"&gt;nternet&lt;/span&gt;. It strikes me most because it pictures out clearly man's evolution as well as the type of work man practiced through centuries. In fact in this picture we can notice the different tools the man has in his possession with respect to the type of work he performed at the those particular times. The last stage of the picture portraits us how after the Industrial Revolution and due to technology, man is a slave of the computer. &lt;/p&gt;&lt;p align="justify"&gt;&lt;/p&gt;&lt;p align="justify"&gt;&lt;img id="BLOGGER_PHOTO_ID_5317440147081788482" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 247px; CURSOR: hand; HEIGHT: 179px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_5yXGc8V9LqE/SctXpAk1_EI/AAAAAAAAADw/1I3pUpimetA/s200/At+factories.jpg" border="0" /&gt; &lt;em&gt;&lt;img id="BLOGGER_PHOTO_ID_5317454490625036450" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 190px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_5yXGc8V9LqE/Sctkr6cC0KI/AAAAAAAAAEg/dBZNRuyIxRs/s200/cambodia_child_labour_25%5B1%5D.jpg" border="0" /&gt;&lt;/em&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5317482629733177410" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 277px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_5yXGc8V9LqE/Sct-R0yOWEI/AAAAAAAAAGo/p8rNqjAtI5Y/s400/cza0536l%5B1%5D.jpg" border="0" /&gt; &lt;/p&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;u&gt;Figure 2: &lt;/u&gt;Discrimination at work&lt;/strong&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;br /&gt;In the first picture of Figure 2 we are seeing the subordination of the factory workers towards their boss. In fact we can read: “Work of die!” Unfortunately in the second picture the child really needs to work or else he dies. However, is this right? That child has no choice between choosing to go to school or to work. He has a right for education as any other child in the world. In the last picture it is strangely noticed that the man is being discriminated. I said 'strangely noticed' because for centuries, and I consider that nowadays the issue is currently the same, at work women are discriminated by comparison to men. &lt;/div&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;a href="http://1.bp.blogspot.com/_5yXGc8V9LqE/SctlLGUjXRI/AAAAAAAAAFQ/K7qhB0W-7Qs/s1600-h/awm-artv01064l[1].jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5317455026390785298" style="WIDTH: 128px; CURSOR: hand; HEIGHT: 200px" alt="" src="http://1.bp.blogspot.com/_5yXGc8V9LqE/SctlLGUjXRI/AAAAAAAAAFQ/K7qhB0W-7Qs/s200/awm-artv01064l%5B1%5D.jpg" border="0" /&gt;&lt;/a&gt; &lt;a href="http://2.bp.blogspot.com/_5yXGc8V9LqE/Sctk7iu2cpI/AAAAAAAAAFI/KgFccOGzadk/s1600-h/women_jobs[1].jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5317454759139373714" style="WIDTH: 172px; CURSOR: hand; HEIGHT: 202px" alt="" src="http://2.bp.blogspot.com/_5yXGc8V9LqE/Sctk7iu2cpI/AAAAAAAAAFI/KgFccOGzadk/s200/women_jobs%5B1%5D.jpg" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;u&gt;Figure 3:&lt;/u&gt; Women and Work&lt;/strong&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;/div&gt;&lt;p align="justify"&gt;I am greatly aware of women discrimination with regards work. These pictures are New York advertising in &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_1"&gt;Pre&lt;/span&gt;-Industrial times. It is clearly seen the stereotyping of the women as possessor of men whom their work is only to clean, take care of &lt;span class="blsp-spelling-error" id="SPELLING_ERROR_2"&gt;offsprings&lt;/span&gt; and prepare food for their husbands whereas men are considered to be the tougher figure who are likely to work (&lt;span class="blsp-spelling-error" id="SPELLING_ERROR_3"&gt;breadwinners&lt;/span&gt; of the family) and defend their properties. Certainly although some biological researches show that there are certain differences between males and females, I strongly agree that female are capable as males in work, and that this issue regarding work should not be regarded and entitled under the consideration of gender but of personal capabilities. &lt;/p&gt;&lt;p align="justify"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&lt;strong&gt;&lt;img id="BLOGGER_PHOTO_ID_5317440147572638386" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 195px; TEXT-ALIGN: center" alt="" src="http://1.bp.blogspot.com/_5yXGc8V9LqE/SctXpCZ3wrI/AAAAAAAAADo/iVzLhXE4-h8/s200/rte0106l%5B1%5D.jpg" border="0" /&gt;&lt;img id="BLOGGER_PHOTO_ID_5317440146833591714" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 207px; CURSOR: hand; HEIGHT: 205px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_5yXGc8V9LqE/SctXo_pqzaI/AAAAAAAAADg/f5GYSOsTQkU/s200/mbcn277l%5B1%5D.jpg" border="0" /&gt;&lt;/strong&gt;&lt;img id="BLOGGER_PHOTO_ID_5317482619894171906" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 311px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_5yXGc8V9LqE/Sct-RQIbCQI/AAAAAAAAAGY/_31of4AUvyk/s400/cgon382l%5B1%5D.jpg" border="0" /&gt; &lt;p align="center"&gt;&lt;strong&gt;&lt;u&gt;Figure 4: &lt;/u&gt;Work Significance&lt;/strong&gt;&lt;/p&gt;&lt;p align="justify"&gt;I really found the first two pictures in Figure 4 mirroring nowadays reality. The majority of the workers go to work with no enthusiasm and especially those workers working with no the supervisions do nothing such as lazy around. If not the case as they arrive home they do nothing just watching TV and relax on the sofa eating, as couch potatoes. They think that because they went to work it is enough and they made their part. I think that work is only a big piece of the whole puzzle representing life and one must not feel bored in going to work. The last picture however shows the typical persons who get a profession and their retirement they don’t ever change their routine.&lt;br /&gt;&lt;/p&gt;&lt;p align="justify"&gt;&lt;/p&gt;&lt;p align="justify"&gt;&lt;img id="BLOGGER_PHOTO_ID_5317482628933052050" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 239px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_5yXGc8V9LqE/Sct-RxzdZpI/AAAAAAAAAGg/Ly70Nk6QXtU/s400/Economy+crisis.jpg" border="0" /&gt;&lt;img id="BLOGGER_PHOTO_ID_5317482633592405410" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 270px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_5yXGc8V9LqE/Sct-SDKVfaI/AAAAAAAAAGw/_eJiZqUxazM/s400/Livingwagecartoon%5B1%5D.jpg" border="0" /&gt;&lt;/p&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;u&gt;Figure 5: &lt;/u&gt;Work Crisis&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;This is seen all over the world that we are passing from an on continuing work crisis. These two pictures in Figure 5 represent this effect on the economy and on the individual. The second picture however shows the progress through which work and people struggled for, and what ultimately they are asking nowadays: a living.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;img id="BLOGGER_PHOTO_ID_5317482639611979554" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 317px; CURSOR: hand; HEIGHT: 400px; TEXT-ALIGN: center" alt="" src="http://3.bp.blogspot.com/_5yXGc8V9LqE/Sct-SZlg5yI/AAAAAAAAAG4/6eFUqAtfu10/s400/self-employment-advantages%5B1%5D.gif" border="0" /&gt;&lt;/div&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;img id="BLOGGER_PHOTO_ID_5317482743982184962" style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 400px; CURSOR: hand; HEIGHT: 290px; TEXT-ALIGN: center" alt="" src="http://2.bp.blogspot.com/_5yXGc8V9LqE/Sct-YeZT2gI/AAAAAAAAAHA/9U_pIN2wWR4/s400/unemployment%5B1%5D.gif" border="0" /&gt; &lt;p align="center"&gt;&lt;strong&gt;&lt;u&gt;Figure 6:&lt;/u&gt; Choices of work&lt;/strong&gt; &lt;/p&gt;&lt;p align="justify"&gt;Work can be categories in different ways. The first picture in Figure 6 outlines the advantages of self-employment. The second and last picture refers to those who had studied for years and still they don’t find any job who suits them. Thus, they seek alternatives. Hopefully it does not happen the same thing as the cartoon character to us :) &lt;/p&gt;&lt;p align="justify"&gt;A positive remark about work is that it can help you mentally, economically and socially. However it can also create a lot of stress...&lt;br /&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8043464692513043904-1289009741644657866?l=antonellaparis.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://antonellaparis.blogspot.com/feeds/1289009741644657866/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://antonellaparis.blogspot.com/2009/03/eds1203-individual-learner-task.html#comment-form' title='30 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8043464692513043904/posts/default/1289009741644657866'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8043464692513043904/posts/default/1289009741644657866'/><link rel='alternate' type='text/html' href='http://antonellaparis.blogspot.com/2009/03/eds1203-individual-learner-task.html' title='eds1203: individual learner task'/><author><name>Antonella Paris</name><uri>http://www.blogger.com/profile/06857086618112020669</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_5yXGc8V9LqE/Sa-qpQtLyoI/AAAAAAAAAA0/jyG2QVjx4XY/S220/face.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_5yXGc8V9LqE/ScttaOziX4I/AAAAAAAAAFY/fzu-vOYR408/s72-c/Man.gif' height='72' width='72'/><thr:total>30</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8043464692513043904.post-1524726597652259028</id><published>2009-03-26T11:20:00.000-07:00</published><updated>2009-03-26T03:43:15.895-07:00</updated><title type='text'>eds1203: group task</title><content type='html'>&lt;div align="justify"&gt;&lt;span style="font-family:lucida grande;"&gt;&lt;strong&gt;&lt;u&gt;How did work change society after the Industrial Revolution?&lt;br /&gt;&lt;/u&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_5yXGc8V9LqE/SctcF3EbCcI/AAAAAAAAAEQ/AfxwE5IihzA/s1600-h/the+four.bmp"&gt;&lt;img id="BLOGGER_PHOTO_ID_5317445040792603074" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 181px; CURSOR: hand; HEIGHT: 149px" alt="" src="http://4.bp.blogspot.com/_5yXGc8V9LqE/SctcF3EbCcI/AAAAAAAAAEQ/AfxwE5IihzA/s320/the+four.bmp" border="0" /&gt;&lt;/a&gt;By reading Chapter 2 of Grint’s book &lt;em&gt;The Sociology of Work&lt;/em&gt; (2005) regarding the history of &lt;/span&gt;&lt;a href="http://4.bp.blogspot.com/_5yXGc8V9LqE/SctTKlsc0pI/AAAAAAAAACI/UZRsSj3MNcU/s1600-h/face.JPG"&gt;&lt;/a&gt;&lt;span style="font-family:lucida grande;"&gt;work, Chris, Katya, Clarisse and I noticed certain features of change in &lt;a href="http://1.bp.blogspot.com/_5yXGc8V9LqE/SctVQuOhTCI/AAAAAAAAADA/4Zw74Ffh3Xo/s1600-h/SDC10097[1].JPG"&gt;&lt;/a&gt;&lt;a href="http://2.bp.blogspot.com/_5yXGc8V9LqE/SctVQVKfHRI/AAAAAAAAAC4/8Lg5gXywCWk/s1600-h/IMG_0699[1].JPG"&gt;&lt;/a&gt;society after the Industrial Revolution.&lt;br /&gt;&lt;br /&gt;In the Pre-Industrial Society the only method of earning a living was thro&lt;/span&gt;&lt;a href="http://4.bp.blogspot.com/_5yXGc8V9LqE/SctTKWVRYDI/AAAAAAAAAB4/FOnaDxL0_VI/s1600-h/IMG_0699[1].JPG"&gt;&lt;/a&gt;&lt;span style="font-family:lucida grande;"&gt;ugh agriculture. Families used to live in villages working at cottage industry. In Britain, their property consisted of their home as well as their agricultural land. Thus, work was done within reach of home and had no specific time or rituals when they start their work. All members of the family participated in work for their financial necessities. Therefore the work of this Agrarian Society depended on &lt;/span&gt;&lt;a href="http://3.bp.blogspot.com/_5yXGc8V9LqE/SctTY7JKM3I/AAAAAAAAACQ/CMtq2NJaFks/s1600-h/me2[1].JPG"&gt;&lt;/a&gt;&lt;span style="font-family:lucida grande;"&gt;all elements such as the seasons. The number of children within the &lt;/span&gt;&lt;a href="http://3.bp.blogspot.com/_5yXGc8V9LqE/SctTKUAIyNI/AAAAAAAAABw/0PRJlvVAQ8Y/s1600-h/SDC10097[1].JPG"&gt;&lt;/a&gt;&lt;span style="font-family:lucida grande;"&gt;family also had a large impact on the production. In such a patriarchal society, men dominated the family’s economical system. It was a common issue that when the husband died only the first male offspring inherited major possessions and even the dominant role.&lt;br /&gt;&lt;br /&gt;“In the second half of the eighteenth century, and the beginnings of Industrial Revolution proper, the occupational structure alters quite markedly: manufacturing, or rather textile manufacturing, mushrooms in size, with the numbers of men engaged tripling in fifty years, while the number of weavers doubles. Relatedly, building, mining, the professions and the armed forces all expand rapidly, while the numbers of unskilled rose only marginally and agricultural employment drops to the point where, very approximately, just over a third of the population were engaged in agriculture in some form by the beginning of the nineteenth century.”&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family:lucida grande;"&gt;&lt;br /&gt;&lt;div align="right"&gt;&lt;em&gt;&lt;span style="font-family:lucida grande;"&gt;Grint, 2005; 57&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;span style="font-family:lucida grande;"&gt;As proved by this quotation, there were radical changes by this revolution. This was surely reflected in society especially regarding the world of work.&lt;br /&gt;&lt;br /&gt;During the Industrial Period, capitalists invested in their land by building factories &lt;/span&gt;&lt;a href="http://3.bp.blogspot.com/_5yXGc8V9LqE/SctUpGvBiQI/AAAAAAAAACg/HA_xtyUvMrM/s1600-h/the+progress+of+the+century.jpg"&gt;&lt;span style="font-family:lucida grande;"&gt;&lt;img id="BLOGGER_PHOTO_ID_5317436850200217858" style="FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 200px; CURSOR: hand; HEIGHT: 162px" alt="" src="http://3.bp.blogspot.com/_5yXGc8V9LqE/SctUpGvBiQI/AAAAAAAAACg/HA_xtyUvMrM/s200/the+progress+of+the+century.jpg" border="0" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:lucida grande;"&gt;where they installed machinery to change raw materials into products sold to the consumer market. The problem was that machines needed to be handled by man. Therefore man had to abandon his village life and family for a number of hours a day to work in a factory. Stevenson denotes how the industrial revolution has also brought about the decline of the family as a collective work unit (Grint, 2005). Distance prohibited families to settle in small house creating industrial towns.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_5yXGc8V9LqE/SctWCujIn1I/AAAAAAAAADI/dZP7mX_VFyE/s1600-h/The+move.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5317438389896126290" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 200px; CURSOR: hand; HEIGHT: 152px" alt="" src="http://4.bp.blogspot.com/_5yXGc8V9LqE/SctWCujIn1I/AAAAAAAAADI/dZP7mX_VFyE/s200/The+move.jpg" border="0" /&gt;&lt;/a&gt;However, we must note that in Pre-Industrial Society “As Mathias notes, it was not just economic need which maintained the family-based industry but also ‘the cohension of family employment [and]… the values of a whole way of life’.” (Grint, 2005; 56)&lt;br /&gt;&lt;br /&gt;Such changes brought by this revolution affected people in several ways. In Pre-Industrial Society people depended on agriculture, so they were more environmental friendly. On the other hand, after this transition people became detached from natural environment living in urban areas that by time started to get polluted because of factories. As a consequence this lead to a lot of health problems.&lt;br /&gt;&lt;br /&gt;This type of work in the industrial area used to create alienation, exploitation and individualism. Women were not on equal terms as males. Women’s job was not considered as valuable because the men perceived it as a role. In fact, when trade unions were created, even though they were supposed to stand up for all workers, women were discriminated from this right. The actual aim of trade unionism was “to bring about a condition…where wives and daughters would be in their proper sphere at home, instead of being dragged into competition for livelihood against the great and strong men of the world” (Grint, 2005;72). Even though they tried to protect women from being abused of employers like for example over working and under paying them for all the hard work, only men were considered as workers.&lt;br /&gt;&lt;br /&gt;To sum it up the history of work was always focused on men. Several changes occurred both in society and its environment due to the advent of the industrial revolution.&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8043464692513043904-1524726597652259028?l=antonellaparis.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://antonellaparis.blogspot.com/feeds/1524726597652259028/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://antonellaparis.blogspot.com/2009/03/eds1203-group-task.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8043464692513043904/posts/default/1524726597652259028'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8043464692513043904/posts/default/1524726597652259028'/><link rel='alternate' type='text/html' href='http://antonellaparis.blogspot.com/2009/03/eds1203-group-task.html' title='eds1203: group task'/><author><name>Antonella Paris</name><uri>http://www.blogger.com/profile/06857086618112020669</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_5yXGc8V9LqE/Sa-qpQtLyoI/AAAAAAAAAA0/jyG2QVjx4XY/S220/face.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_5yXGc8V9LqE/SctcF3EbCcI/AAAAAAAAAEQ/AfxwE5IihzA/s72-c/the+four.bmp' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8043464692513043904.post-8008380977486709216</id><published>2009-03-13T12:39:00.000-07:00</published><updated>2009-03-13T04:47:34.073-07:00</updated><title type='text'>eds1203: critical review</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_5yXGc8V9LqE/SbpG4TbcBkI/AAAAAAAAABo/11TA5u0BzGc/s1600-h/face.JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5312636643538896450" style="FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 120px; CURSOR: hand; HEIGHT: 87px" alt="" src="http://2.bp.blogspot.com/_5yXGc8V9LqE/SbpG4TbcBkI/AAAAAAAAABo/11TA5u0BzGc/s200/face.JPG" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt; &lt;a href="http://3.bp.blogspot.com/_5yXGc8V9LqE/SbpGxs0U5eI/AAAAAAAAABg/2f2tYZMACrM/s1600-h/me2[1].JPG"&gt;&lt;img id="BLOGGER_PHOTO_ID_5312636530095089122" style="FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 93px; CURSOR: hand; HEIGHT: 101px" alt="" src="http://3.bp.blogspot.com/_5yXGc8V9LqE/SbpGxs0U5eI/AAAAAAAAABg/2f2tYZMACrM/s200/me2%5B1%5D.JPG" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt; &lt;a href="http://2.bp.blogspot.com/_5yXGc8V9LqE/SbpGprPLOrI/AAAAAAAAABY/wJ1qE2O6hZI/s1600-h/Pic2[1].jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5312636392231877298" style="FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 102px; CURSOR: hand; HEIGHT: 105px" alt="" src="http://2.bp.blogspot.com/_5yXGc8V9LqE/SbpGprPLOrI/AAAAAAAAABY/wJ1qE2O6hZI/s200/Pic2%5B1%5D.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;span style="font-family:lucida grande;"&gt;Through this critical review, Elaine, Clarisse and I are going to analyse five different poems written in the past few centuries. The central theme of these poems is mainly related with work. However, every poem tackles out different aspects regarding work, which are still concerned issues nowadays such as gender and class discrimination.&lt;br /&gt;&lt;br /&gt;Philip Larkin, in the poem called &lt;strong&gt;&lt;em&gt;Toads&lt;/em&gt;&lt;/strong&gt;, highlights the theme of work in relation to a dull, negative picture. In fact, though Grint (2005) argues that “no unambiguous or objective definition of work is possible”, he included authors who emphasised this necessary activity in their writings often perceiving it as a negative issue; such as Marx. The title in itself ‘Toads’ describes broadly the physical bodies of the workers which get rougher and drier due to the hard work; and which are ultimately compared with those of toads. Larkin seems to deliberate the protagonist as being a repulsive person. Throughout the poem, he emphasized that work has ruined his life and is eventually related with acquiring money and “Just for paying a few bills!” Therefore, he shows a lack of interest towards work. Also as Marx points out, the significance of work is “as a means to an end” in one’s life. The protagonist also claims that, compared with the work he is working, the amount of money he gains is ultimately “…out of proportion”. This is also highlighted by Grint (2005) when he mentioned the ideology of Marx in which he claimed that the bourgeoisie exploit the workers by paying them miserable wages. On the other hand, Larkin notes a positive attainment in being courageous more than others in doing this work. The poet focused more on the so-called ‘males’ work’ which at those times, was often associated with hard and dirty work. During the early twentieth century, people’s mentality about success usually involved status, family and money: “The fame and the girl and the money”.&lt;br /&gt;&lt;br /&gt;The poem &lt;strong&gt;&lt;em&gt;You will be Hearing from us Shortly&lt;/em&gt;&lt;/strong&gt; by U. A. Fanthorpe also refers to the theme of work. However, it highlights the issue of discrimination against women. This was considered as typical at that time, also as Grint (2005) stated that “employment opportunities for women have historically been restricted in the main to analogous domestic activities”. From the title itself, we think that like in every interview where the employers are not sure if the person is adequate for that job, the woman is told that she will be informed later on if she is eligible for that work. In fact, this poem regards an interview which is carried out with a woman who is applying for a job. From the first verse one can imagine how the woman is underestimated, regarding if she is sure in applying for this job. The questions asked during the interview are regarding age, physical appearance, level of education and family. This feminist poet wanted to emphasize the stereotypes on females at that time which are still considered typical nowadays. The fact that they asked her if she was married, had children and her level of education shows that they considered these issues whether to employ her or not: “We see. The usual dubious”. Grint (2005) claimed that though women’s negative attitudes towards domestic work are very recent, research since the 1950s has suggested that such attitudes were relatively common even then. Therefore, one could suggest that the protagonist in this poem could be a typical woman in the 20th century that wanted to find a job rather than doing domestic work only. Grint (2005) argued that “gender-based inequalities are not inevitable” and that “it should be remembered, however, that gender tends to interact with, rather than override, the significance of class”. That is, gender discrimination can also be related with social class inequalities.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;The Chimney-Sweeper’s Complaint &lt;/em&gt;&lt;/strong&gt;by Alcock illustrates a complaint regarding the experiences that a young chimney-sweeper faces during his work which is quite dirty and tough. The chimney-sweeper feels abandoned as he is “Far from my home, no parents I/Am ever doom’d to see;” considering the fact that he is just a boy. He also tries to touch the reader’s heart regarding his harsh lifestyle based on his work: &lt;/span&gt;&lt;/div&gt;&lt;span style="font-family:lucida grande;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;br /&gt;“Ah, turn your eyes;’twould draw a tear.&lt;br /&gt;Knew you my helpless state.”&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="justify"&gt;Indeed we can also see the form of hierarchy which the poet mostly emphasizes in the last part of the poem. The concept of hierarchy is often associated with that of work, as Giddens (1979) “argued that too many conceptualizations of power take a position in which the default category is one of zero sum: the more A gains the more B loses”. This is also highlighted by Marx’s ideology, when he stated that the bourgeoisie exploit the proletariat; and it is this idea that leads him to suggest and urge the workers to revolutionise and bring about communism. Alcock reveals to us how the work leaves him bodily devastated. He also refers to the discrimination he faces on his work: “Yet still my master makes me work, / Nor spares me day or night:” However the chimney-sweeper ignores all these factors when his is at work because the only reason for his effort is done in order to survive and to gain extrinsic rewards.&lt;br /&gt;&lt;br /&gt;The theme of work is also stressed out in the title and through the poem &lt;strong&gt;&lt;em&gt;Work &lt;/em&gt;&lt;/strong&gt;by D. H. Lawrence. The poet has a negative perception regarding work which ultimately results in a lack of interest. This is shown already in the first few verses:&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;br /&gt;“There is no point in work&lt;br /&gt;unless it absorbs you&lt;br /&gt;like an absorbing game.”&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;br /&gt;&lt;br /&gt;This negative attitude towards work is also laid emphasis upon by Grint (2005), when he mentioned the “late nineteenth-century music-hall songs revealed, work was an evil but there was no escape from it nor from the class system”. The approaches highlighted by Grint (2005) and D. H. Lawrence portrait work as a negative issue, where there is ultimately no room for leisure or interest towards one’s occupation. D. H. Lawrence suggests that if you don’t feel fascinated vis-à-vis your job, you might as well “don’t do it.” He compares people with nature. This is shown in various similies throughout the poem such as: &lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;br /&gt;“they are like slender trees putting forth leaves, a long&lt;br /&gt;White web of living leaf,”&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;br /&gt;The type of work that Lawrence spoke about is the typical work of the early 20th century which involved manufacturing in factories. In fact, when Grint (2005) referred to the writings of Allen Clarke (1899) regarding the Lancashire factory workers he pointed out that “some few seek recreation in Sunday school work and prayer meetings, but there the minority; the majority want stirring amusements, lively and intoxication – something to make them forget”.&lt;br /&gt;&lt;br /&gt;The theme of work is questioned in the poem &lt;strong&gt;&lt;em&gt;What the chairman told Tom&lt;/em&gt;&lt;/strong&gt; by Basil Banting. He points out such attitudes that people show towards poetry and being a poet. We noticed that this poem is an autobiography of Banting. People used to undervalue this work as they compare it with work which was more manual and hard at those times. Indeed, Grint (2005) said that ultimately “what counts as work cannot be served from the context within which it exists, and the context necessarily changes through space and time”. That is, at that time being a poet was not considered as work; however this idea changed over time. Thus, the value of work must be analysed and understood within a particular time and space. They sought a difference between ‘manual work’ and ‘mental work’. As Banting pointed out, they didn’t even consider this type of profession as work: &lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;br /&gt;“It’s not work. You don’t sweat.&lt;br /&gt;Nobody pays for it.&lt;br /&gt;You &lt;em&gt;could&lt;/em&gt; advertise soap.”&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;br /&gt;In the 20th century poets were considered with little significance towards their status as anybody could do their work:&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;br /&gt;“My ten year old&lt;br /&gt;can do it &lt;em&gt;and&lt;/em&gt; rhyme.”&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;br /&gt;As highlighted in the other poems, the idea of hierarchy is also portrayed in this poem. He discussed the issue of wages and says that poets are less paid then in other jobs. He talks as well about the subordination that is seen in the other jobs whereas the poet does not have. Banting concludes the poem by an intervention of Mr. Hines telling the protagonist: “Go and find &lt;em&gt;work&lt;/em&gt;”, making him more conscious that his ‘work’ is not considered as such.&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;span style="font-family:lucida grande;"&gt;Through these poems several factors that Grint points out in his text were highlighted. We noticed that the idea that manual work is better than any other type of job came out in ‘Toads’ and in ‘What The Chairman Told Tom’ the job of a poet is not given any status at all. Such a lack of importance is also given to the job of the chimney-sweeper in the ‘The Chimney-Sweeper’s Complaint’ where he emphasis the harsh conditions he is in. Dominance is also seen in other ways, most of all by the employer with his workers like in ‘What the chairman told Tom’ and ‘You will be Hearing from us Shortly’. In the latter, discrimination based on gender and social background was also observed. On the other hand only in the poem ‘Work’, where a comparison to nature and fun is done, this is seen in a bit of a positive view. &lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div align="justify"&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8043464692513043904-8008380977486709216?l=antonellaparis.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://antonellaparis.blogspot.com/feeds/8008380977486709216/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://antonellaparis.blogspot.com/2009/03/eds1203-critical-review.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8043464692513043904/posts/default/8008380977486709216'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8043464692513043904/posts/default/8008380977486709216'/><link rel='alternate' type='text/html' href='http://antonellaparis.blogspot.com/2009/03/eds1203-critical-review.html' title='eds1203: critical review'/><author><name>Antonella Paris</name><uri>http://www.blogger.com/profile/06857086618112020669</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_5yXGc8V9LqE/Sa-qpQtLyoI/AAAAAAAAAA0/jyG2QVjx4XY/S220/face.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_5yXGc8V9LqE/SbpG4TbcBkI/AAAAAAAAABo/11TA5u0BzGc/s72-c/face.JPG' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-8043464692513043904.post-380321562435562570</id><published>2009-03-12T14:54:00.000-07:00</published><updated>2009-03-12T12:40:31.379-07:00</updated><title type='text'>eds1203: five poems about work</title><content type='html'>&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:lucida grande;"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;1. Toads by Philip Larkin (1922-85), 1955&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;Why should I let the toad work&lt;br /&gt;Squat on my life?&lt;br /&gt;Can't I use my wit as a pitchfork&lt;br /&gt;And drive the brute off?&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:lucida grande;"&gt;Six days of the week it soils&lt;br /&gt;With its sickening poison -&lt;br /&gt;Just for paying a few bills!&lt;br /&gt;That's out of proportion.&lt;/span&gt; &lt;a href="http://blogs.guardian.co.uk/books/larkinbown460.jpg"&gt;&lt;img style="FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 218px; CURSOR: hand; HEIGHT: 215px" alt="" src="http://blogs.guardian.co.uk/books/larkinbown460.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:lucida grande;"&gt;Lots of folk live on their wits:&lt;br /&gt;Lecturers, lispers,&lt;br /&gt;Losers, loblolly-men, louts-&lt;br /&gt;They don't end as paupers;&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:lucida grande;"&gt;Lots of folk live up lanes&lt;br /&gt;With fires in a bucket,&lt;br /&gt;Eat windfalls and tinned sardines-&lt;br /&gt;They seem to like it.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:lucida grande;"&gt;Their nippers have got bare feet,&lt;br /&gt;Their unspeakable wives&lt;br /&gt;Are skinny as whippets - and yet&lt;br /&gt;No one actually starves.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:lucida grande;"&gt;Ah, were I courageous enough&lt;br /&gt;To shout, Stuff your pension!&lt;br /&gt;But I know, all too well, that's the stuff&lt;br /&gt;That dreams are made on:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:lucida grande;"&gt;For something sufficiently toad-like&lt;br /&gt;Squats in me, too;&lt;br /&gt;Its hunkers are heavy as hard luck,&lt;br /&gt;And cold as snow,&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:lucida grande;"&gt;And will never allow me to blarney&lt;br /&gt;My way of getting&lt;br /&gt;The fame and the girl and the money&lt;br /&gt;All at one sitting.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:lucida grande;"&gt;I don't say, one bodies the other&lt;br /&gt;One's spiritual truth;&lt;br /&gt;But I do say it's hard to lose either,&lt;br /&gt;When you have both.&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div align="left"&gt;&lt;span style="font-size:85%;"&gt;***&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:lucida grande;"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;2. You will be Hearing from us Shortly by U. A. Fanthorpe(1929-), 1982&lt;/span&gt;&lt;br /&gt;&lt;/strong&gt;You feel adequate to the demands of this position?&lt;br /&gt;What qualities do you feel you&lt;br /&gt;Personally have to offer?&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:lucida grande;"&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Ah. &lt;a href="http://www.poetryarchive.stage.goodtechnology.net/temp/poetryarchive/cache/cmsattach/916_fanthorpe180.jpg"&gt;&lt;img style="FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 180px; CURSOR: hand; HEIGHT: 180px" alt="" src="http://www.poetryarchive.stage.goodtechnology.net/temp/poetryarchive/cache/cmsattach/916_fanthorpe180.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Let us consider your application form.&lt;br /&gt;Your qualifications, though impressive, are&lt;br /&gt;Not, we must admit, precisely what&lt;br /&gt;We had in mind. Would you care&lt;br /&gt;To defend their relevance?&lt;br /&gt;&lt;br /&gt;Indeed.&lt;br /&gt;&lt;br /&gt;Now your age. Perhaps you feel able&lt;br /&gt;To make your own comment about that,&lt;br /&gt;Too? We are conscious ourselves&lt;br /&gt;Of the need for a candidate with precisely&lt;br /&gt;The right degree of immaturity.&lt;br /&gt;&lt;br /&gt;So glad we agree.&lt;br /&gt;&lt;br /&gt;And now a delicate matter: your looks.&lt;br /&gt;You do appreciate this work involves&lt;br /&gt;Contact with the actual public? Might they,&lt;br /&gt;Perhaps, find your appearance&lt;br /&gt;Disturbing?&lt;br /&gt;&lt;br /&gt;Quite so.&lt;br /&gt;&lt;br /&gt;And your accent. That is the way&lt;br /&gt;You have always spoken, is it? What&lt;br /&gt;Of your education? We mean, of course,&lt;br /&gt;Where were you educated?&lt;br /&gt;And how&lt;br /&gt;Much of a handicap is that to you,&lt;br /&gt;Would you say?&lt;br /&gt;&lt;br /&gt;Married, children,&lt;br /&gt;We see. The usual dubious&lt;br /&gt;Desire to perpetuate what had better&lt;br /&gt;Not have happened at all. We do not&lt;br /&gt;Ask what domestic desires shimmer&lt;br /&gt;Behind that vaguely unsuitable address.&lt;br /&gt;&lt;br /&gt;And you were born -?&lt;br /&gt;Yes. Pity.&lt;br /&gt;&lt;br /&gt;So glad we agree. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;p&gt;&lt;span style="font-family:lucida grande;"&gt;&lt;span style="font-size:85%;"&gt;***&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;3. The Chimney-Sweeper's Complaint by Mary Alcock (c.1742-98) &lt;/span&gt;&lt;br /&gt;&lt;/strong&gt;A chimney-sweeper's boy am I:&lt;br /&gt;Pity my wretched fate!&lt;br /&gt;Ah, turn your eyes; 'twould draw a tear.&lt;br /&gt;Knew you my helpless state.&lt;br /&gt;&lt;br /&gt;Far from my home, no parents I&lt;br /&gt;Am ever doom'd to see;&lt;br /&gt;My master, should I sue to him,&lt;br /&gt;He'd flog the skin from me.&lt;br /&gt;&lt;br /&gt;Ah, dearest Madam, dearest Sir,&lt;br /&gt;Have pity on my youth:&lt;br /&gt;Though black, and covered o'er with rags.&lt;br /&gt;I tell you naught but truth.&lt;br /&gt;&lt;br /&gt;My feeble limbs, benumb'd with cold,&lt;br /&gt;Totter beneath the sack,&lt;br /&gt;Which ere the morning dawn appears&lt;br /&gt;Is loaded on my back.&lt;br /&gt;&lt;br /&gt;My legs you see are burnt and bruis'd,&lt;br /&gt;My feet are galled by stones,&lt;br /&gt;My flesh for lack of food is gone,&lt;br /&gt;I'm little else but bones.&lt;br /&gt;&lt;br /&gt;Yet still my master makes me work,&lt;br /&gt;Nor spares me day or night:&lt;br /&gt;His 'prentice boy he says I am,&lt;br /&gt;And he will have his right.&lt;br /&gt;&lt;br /&gt;‘Up to the highest top,’ he cries,&lt;br /&gt;‘There call out chimney-sweep!’&lt;br /&gt;With panting heart and weeping eyes&lt;br /&gt;Trembling I upwards creep.&lt;br /&gt;&lt;br /&gt;But stop! no more — I see him come;&lt;br /&gt;Kind Sir, remember me!&lt;br /&gt;Oh, could I hide me under ground,&lt;br /&gt;How thankful should I be!&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:lucida grande;"&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:lucida grande;"&gt;&lt;span style="font-size:85%;"&gt;***&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:lucida grande;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;4. Work by D. H. Lawrence (1885-1930), 1929&lt;/strong&gt; &lt;/span&gt;&lt;br /&gt;There is no point in work&lt;br /&gt;unless it absorbs you&lt;br /&gt;like an absorbing game.&lt;br /&gt;&lt;br /&gt;If it doesn't absorb you&lt;br /&gt;if it's never any fun,&lt;br /&gt;don't do it.&lt;br /&gt;&lt;a href="http://youlookhungry.files.wordpress.com/2009/01/dh-lawrence.jpg"&gt;&lt;img style="FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 171px; CURSOR: hand; HEIGHT: 220px" alt="" src="http://youlookhungry.files.wordpress.com/2009/01/dh-lawrence.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;When a man goes out into his work&lt;br /&gt;he is alive like a tree in spring,&lt;br /&gt;he is living, not merely working.&lt;br /&gt;&lt;br /&gt;When the Hindus weave thin wool into long, long&lt;br /&gt;lengths of stuff&lt;br /&gt;With their thin dark hands and their wide dark eyes&lt;br /&gt;and their still souls absorbed&lt;br /&gt;they are like slender trees putting forth leaves, a long&lt;br /&gt;white web of living leaf,&lt;br /&gt;the tissue they weave,&lt;br /&gt;and they clothe themselves in white as a tree clothes&lt;br /&gt;itself in its own foliage.&lt;br /&gt;As with cloth, so with houses, ships, shoes, wagons or&lt;br /&gt;cups or loaves.&lt;br /&gt;Men might put them forth as a snail its shell, as a bird&lt;br /&gt;that leans&lt;br /&gt;its breast against its nest, to make it round,&lt;br /&gt;&lt;br /&gt;as the turnip models his round root, as the bush makes&lt;br /&gt;flowers or gooseberries,&lt;br /&gt;putting them forth, not manufacturing them,&lt;br /&gt;and cities might be as once they were, bowers grown out&lt;br /&gt;from the busy bodies of people.&lt;br /&gt;And so it will be again, men will smash the machines.&lt;br /&gt;&lt;br /&gt;At last, for the sake of clothing himself in his own leaflike&lt;br /&gt;cloth&lt;br /&gt;tissued from his life,&lt;br /&gt;and dwelling in his own bowery house, like a beaver's&lt;br /&gt;nibbled mansion&lt;br /&gt;and drinking from cups that came off his fingers&lt;br /&gt;like flowers off their five-fold stem&lt;br /&gt;he will cancel the machines we have got.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;***&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:lucida grande;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;5. What The Chairman Told Tom by Basil Banting (1900-85), 1965&lt;/strong&gt; &lt;/span&gt;&lt;br /&gt;Poetry? It's a hobby.&lt;br /&gt;I run model trains.&lt;br /&gt;Mr Shaw there breeds pigeons.&lt;br /&gt;&lt;br /&gt;It's not work. You dont sweat.&lt;br /&gt;Nobody pays for it.&lt;br /&gt;You could advertise soap.&lt;br /&gt;&lt;br /&gt;Art, that's opera; or repertory -&lt;br /&gt;The Desert Song.&lt;br /&gt;Nancy was in the chorus.&lt;br /&gt;&lt;br /&gt;But to ask for twelve pounds a week -&lt;br /&gt;married, aren't you? -&lt;br /&gt;you've got a nerve.&lt;br /&gt;&lt;br /&gt;How could I look a bus conductor&lt;br /&gt;in the face&lt;br /&gt;if I paid you twelve pounds?&lt;br /&gt;&lt;br /&gt;Who says it's poetry, anyhow?&lt;br /&gt;My ten year old&lt;br /&gt;an do it and rhyme.&lt;br /&gt;&lt;br /&gt;I get three thousand and expenses,&lt;br /&gt;a car, vouchers,&lt;br /&gt;but I'm an accountant.&lt;br /&gt;&lt;br /&gt;They do what I tell them,&lt;br /&gt;my company.&lt;br /&gt;What do you do?&lt;br /&gt;&lt;br /&gt;Nasty little words, nasty long words,&lt;br /&gt;it's unhealthy.&lt;br /&gt;I want to wash when I meet a poet.&lt;br /&gt;&lt;br /&gt;They're Reds, addicts,&lt;br /&gt;all delinquents.&lt;br /&gt;What you write is rot.&lt;br /&gt;&lt;br /&gt;Mr Hines says so, and he's a schoolteacher,&lt;br /&gt;he ought to know.&lt;br /&gt;Go and find work.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8043464692513043904-380321562435562570?l=antonellaparis.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://antonellaparis.blogspot.com/feeds/380321562435562570/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://antonellaparis.blogspot.com/2009/03/eds1203-five-poems-about-work.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8043464692513043904/posts/default/380321562435562570'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8043464692513043904/posts/default/380321562435562570'/><link rel='alternate' type='text/html' href='http://antonellaparis.blogspot.com/2009/03/eds1203-five-poems-about-work.html' title='eds1203: five poems about work'/><author><name>Antonella Paris</name><uri>http://www.blogger.com/profile/06857086618112020669</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://2.bp.blogspot.com/_5yXGc8V9LqE/Sa-qpQtLyoI/AAAAAAAAAA0/jyG2QVjx4XY/S220/face.JPG'/></author><thr:total>0</thr:total></entry></feed>
